The western genre is a genre that has had attracted a lot of
viewers, partly because of its ‘mythical’ (legend) context. Due to the fact
that the films are often set in locations that are isolated, and removed from
the rules of modern society, it gives the film writers a lot of freedom to
explore uncomfortable issues among modern society, without ignoring everyday
factors. Typically in western films, there is a fight between the good and bad,
and the heroic cowboy becoming victorious, and the audience’s faith is
restored. However the western films have experienced a series of changes, adaptations
and revivals in its life time at the cinema.
During the 1920’s and 1930’s, western films followed
a similar formula, and was considered one of the most main genre. Alan Lovell,
(as cited in the cinema book), identified four key conventions that made up the
western genre. They were:
·
A
structure from the 19th century melodramatic theatre, which involves
a hero and villain, who menace a heroin.
·
An
action story , made up of violence, chases and crimes appropriate to be a place
like western America in the 19th century.
·
The
introduction of the history of migrating westards and the opening to a place.
·
The
revenge structure, which was present in the film ‘Billy the kid’ in 1930.
These were
the primise (ideas) from which westerns were developed and from which all other
westerns have been created.
In 1939, ‘Stagecoach’
was released. This film was seen as the first ‘modern western’ film, which was
a significant development in the genre. This was because of our sympathies for
an outlaw and a prostitute who he befriends. After this film, came a series of
films starring John Wanye, sticking to similar themes, and flawed characters,
the, most recognisable being ‘Mr Darling
Clementine’ and ‘The Searchers’, which John Wayne plays an outsider obsessed with
revenge against the Indians who had kidnapped their niece. This period also saw
a new section of ‘stylised westerns’ like ‘Johnny Guitar’ and ‘High Noon’. This
period has often been sighted as a ‘classic’
period of western films. This ‘classic’ period is seen as the pinnacle of western
films, and is now facing a downward trend in terms of popularity, especially
during the 1950’s. In the 1960’s, westerns saw a new rise in popularity due to
the ‘spaghetti western’ in the late 1960’s. the name came around due to the Italian
producers like Sergio Leone and Sergio Corbucci, who often stared Clint Eastwood
in the films like ‘A fistful of dollars’and its sequels. In these films, the
Mexican bandits were up against a much less romantic, and more violent loner,
travelling from town to town. The films were also much more violent in content,
in keeping with social change and the relaxing of censorship. In 1969 ‘The Wild
Bunch’, was a film that told the film from the the view of the outlaws rather
than the typical law abiding settlers. The film is clearly influenced by the
Vietnam War, which is why there is more violence and instability throughout the
film.
However, towards the end of this period there were small adjustments made to making westerns. In 1988, "Young Guns" was released, putting together key conventions of a western, including a 'bratpack'of actors. This is a group of actors that were very popular acting together, and they were used along with a modern entrance theme, in order to try and restore peoples desire to watch films under the western genre. Also, in 1990 'Dances With Wolves' was a western film made to be politically correct, showing native Americans (Indians) in a better light, in an attempt to gain the western genre more viewers.
Soon after, even main characters, which were white heroes and key to any good western film, were replaced by 'black westerns' such as ' Posse' and 'Ferminst westerns' like 'Bad Girls' and 'The Quick and The Dead'. In 1992, Clint Eastwood chose to direct films,as well as act in them. In 'Unforgiven' the film decided to use political allegory, (a political allegory is a story or painting that, on the surface, tells one tale, but has a hidden political meaning underneath), commenting on the American government at the time. There other new workings in the genre since then.
This is not the full history of the genre, but gives an indication of how one genre has had to adapt to survive in the film industry.
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